

What I love about the acting prep which Firth talks about, it’s all about the inner life…it’s empathetic, emotionally, to the King. Colin Firth connects to the King, and identifies on an emotional level. And, he doesn’t simplify it, by ‘going for [an emotional] result’ as he preps the acting role, and decides how to approach this character… He discusses the character not only with a intellectual understanding of what is going through the mind of the King—but in a way that is an emotional process, with active emotional reality. There are big stakes, but not just in theory. Rather, in emotional ‘actibility’.

















