Will CGI Acting Be Recognized As Oscar-Worthy Acting At The Academy Awards?

Will Performance Capture performances be considered for acting recognition, alongside traditional acting? Compete equally for Oscars in the acting categories?

That’s a question that been zinging around Hollywood, especially after Avatar’s recent surge into the mix. There’s also Jim Carrey’s performance, or performances, shall we say? He plays how many characters in A Christmas Carol, twelve different ones?

James Cameron Leaked This Photo Of Actress Zoe Saldana.

Those green dots are intentional, they are for the CGI! . His point is that good acting is necessary and important, underneath the CGI end result. (Where the actor may seem to disappear, to the audience.)

The timing of this photo leak, and those green dots, have caused some musing about James Cameron’s Oscar-political motives. Some possibles: Wanting to secure some acting category Oscar Nominations for Avatar thus collecting more, Proving to the strong force of acting members in The Academy that his movie is heavy on the CGI but he’s heavy on actor-love …

Movieline had this to say about the Avatar-actress photo leak:

…Beyond its basic, “here’s how we did it” purpose, the photo seemed also to suggest that CGI is only as effective as the flesh-and-blood performance underneath it.

…The actors’ branch amounts to the majority of its membership, and a vote for a performance-captured Saldana can ultimately be perceived as an endorsement of these roles — not to mention the salaries they might command on films by Cameron, Jackson, Steven Spielberg and their high-concept contemporaries. But! One thing at a time: First of all, both Cameron and Jackson say, relax. Actors aren’t going anywhere.

Then comes the Saldana Factor, with all the Cameronesque slyness, persuasion and hubris we’ve come to know and love:

We couldn’t accomplish the character we’re doing in Avatar through any kind of makeup means. That’s been explored for 30 years of Star Trek and Star Wars. But I think the thing I hope that the media can convey to audiences is that this is an actor-driven process. Neytiri, in my film, for example—she is what Zoe [Saldana] created 100 percent. Initially I thought we want to keep the technique under wraps. We don’t want to pull the curtain aside and show people how we’ve done this; we just want to show you my magic. But I’ve recently changed my tune. I want people to see a side-by-side image of Neytiri in a scene and Zoe doing the scene, so they understand that it’s a physical and facial performance. Zoe took months of training at archery and martial arts, so she could move a certain way and have a certain grace. It’s something she created that just translated to her character.

Naturally Jackson agrees, calling anti-actor theories “ludicrous.” But Cameron’s the true actor’s director among this pair, and even while Avatar accrues Best Picture hype by merely speaking for itself in theaters, there’s obviously a little more validation to be had for himself and the technology by nudging Saldana into the awards bubble.